Annotations (12)
“Story works in 3 layers. One, there's the external mechanics of how the character interacts in the world, and you can substitute character for product. That's a requirement. And then there are 2 more layers, which is a subjective layer of why is this series of events important to me and what does it mean to me personally? And then there is a philosophical layer. On a philosophical level, how you believe the world works today and what people believe makes a good world.”— Wolfgang Hammer
Leadership & Management · Business & Entrepreneurship · Philosophy & Reasoning
DUR_ENDURING
External, emotional, philosophical: three-layer story
“The questions are something like: How should the world be in a general sense? How do we believe? How do I believe the world? The good life? The second layer is why am I doing this? What is it about my specific story that maps back onto that? And the third is what are we doing about it? If you tell the company's story in that way, what does it galvanize that makes it worth pursuing in the first place?”— Patrick O'Shaughnessy
Business & Entrepreneurship · Leadership & Management · Philosophy & Reasoning
DUR_ENDURING
Three questions: world belief, personal why, action
“Narrative is fear made conscious and conquered through action. The mind can imagine really anything. In many ways, what is possible, even emanating from our own subconscious, is so much bigger than what the left hemisphere brain, the rational analytical brain, can handle. So I think there is a fear of the bigness of the world. That fear of the bigness of the world is also reflected in the inner world. So much of story is actually an inner transformation.”— Wolfgang Hammer
Psychology & Behavior · Philosophy & Reasoning · Leadership & Management
DUR_ENDURING
Fear of inner potential conquered through action
“The most tolerable element of new before it's rejected by the human mind is 20% new, 80% familiar. With the idea of originality and creativity, there's a tension. The new is really just the obvious uncovered through systematic trial and error over a certain period of time. By striving to stay within the obvious and trying to find a variation on the obvious, I think you have a higher chance of discovering something novel that will still feel intelligible enough to categorize in the world.”— Wolfgang Hammer
Creativity & Innovation · Psychology & Behavior · Business & Entrepreneurship
DUR_ENDURING
20% new, 80% familiar: cognitive acceptance threshold
“Robert Towne said this to me at lunch years ago when I was a young executive. He said, stories are either desires fulfilled or anxieties purged. I think he's right. Desire to fulfill one's potential in the world. And anxiety or fear purged is an idea of an inherent fear of something that might happen to you that you really don't wish to happen.”— Robert Towne via Wolfgang Hammer
Psychology & Behavior · Creativity & Innovation
DUR_ENDURING
Stories: desires fulfilled or anxieties purged
“Someone called me, hadn't heard from them in a while, and they said, we realized we've been selling to the wrong level. We have to sell to C-level as opposed to frontline manager level. And the sales pitch didn't work to the C-level. It was because they had not changed the framework, this objective personal philosophy. The C-level has a very different worldview of what's happening in company than the line manager. And we worked on it and it was like magic.”— Wolfgang Hammer
Business & Entrepreneurship · Psychology & Behavior · Leadership & Management
DUR_ENDURING
Match narrative to audience worldview for conversion
“All society is communication. Because of its complexity, communication breaks down into buckets of specialty, but it's in essence being a master communicator of an almost infinite amount of buckets and knowing to context switch between them and understanding the language games that each one of these buckets plays, but never forgetting the core principles underneath all this.”— Wolfgang Hammer
Leadership & Management · Psychology & Behavior
DUR_ENDURING
CEO role: adapt emotional layer, preserve philosophy
“There's a thing in character development where the character at the beginning of a story will have a concept of the world that they believe is fixed, and it's very often a flawed concept. This is always attributable to a lack of self-knowledge. With the case of a great founder who feels that they're building something that's working, and then they feel that perhaps the way they're thinking about the context wherein this product lives is limited.”— Wolfgang Hammer
Leadership & Management · Psychology & Behavior · Philosophy & Reasoning
DUR_ENDURING
Flawed worldview stems from missing self-knowledge
“My view today is an iconic character has to do with an ability to be a Greek hero, which means to live and espouse a worldview that is universally disliked. I'm really interested in what Elon Musk is doing because it's so unconcerned with the traditional hero trajectory. It's almost Greek. This idea of breaking societal rules to get to some Platonic ideal that is worth more than acceptance.”— Wolfgang Hammer
Leadership & Management · Philosophy & Reasoning · Psychology & Behavior
DUR_CONTEXTUAL
Iconic: espouse universally disliked worldview, persist
“Stories are very good vehicles for delivering experience of ultimate concern. In the group of people listening to this, probably by revealed preference in the US, the most common ultimate concern is money. It's an unbelievably powerful symbol because it stores potentiality. So the mind can imagine anything.”— Wolfgang Hammer
Psychology & Behavior · Economics & Markets · Philosophy & Reasoning
DUR_ENDURING
Money stores infinite potential: ultimate fantasy
“Every scene is about status. Every scene is about a power differential. Every interaction is about status. There's a British actor who knew absolutely everyone in English society and for some reason was unsuccessful at getting what they wanted. When he overplayed his status, he would be hated. When he underplayed his status, he wouldn't get what he wanted. When he matched status, he would get whatever he asked for.”— Wolfgang Hammer
Psychology & Behavior · Leadership & Management
DUR_ENDURING
Match status level to get what you want
“I was at Stanford when the turnaround for Apple in its second inning. This was a man who had a philosophy, a personal worldview, and knew exactly what he was fighting against at all times, and then acted accordingly with unbelievable discipline and courage and created something that was a work of art in many ways. He literally wanted to make business art, and he kind of did.”— Wolfgang Hammer
Business & Entrepreneurship · Leadership & Management · Philosophy & Reasoning
DUR_ENDURING
Jobs: philosophy plus knowing the enemy
Frameworks (1)
Three-Layer Narrative Framework
External, Emotional, Philosophical Communication Structure
A systematic approach to crafting compelling narratives by addressing three distinct layers: the external mechanics (what you're doing), the emotional layer (why it matters personally), and the philosophical layer (how it challenges dominant worldviews). Each layer must be present and coherent for the story to move people.
Components
- Define the External Layer
- Articulate the Emotional Layer
- Establish the Philosophical Layer
Mental Models (4)
Self-Knowledge as Prerequisite
PsychologyThe principle that flawed concepts of the world stem from lack of self-knowledge. Before you can accurately perceive external reality or build effective strategy, you must understand your own assumptions, biases, and worldview. Self-knowledge is not introspection for its own sake but rather the foundation for clear thinking and effective action.
In Practice: Explaining why founders struggle to articulate their narrative and how to fix it
Demonstrated by Leg-hf-001
20% New, 80% Familiar Rule
PsychologyThe human mind can only tolerate approximately 20% novelty before rejecting information as incomprehensible. Innovation must be grounded in the familiar to be accepted. This cognitive constraint explains why incremental innovation often succeeds where radical innovation fails, and why great storytelling stays close to the obvious while finding novel variations.
In Practice: Discussion of originality and why staying close to the familiar increases success probability
Demonstrated by Leg-hf-001
Desires Fulfilled, Anxieties Purged
PsychologyAll stories fundamentally operate on two axes: the fulfillment of desires (power fantasies, wish fulfillment, potential realized) and the purging of anxieties (confronting and overcoming fears through proxy). Understanding these dual motivations helps predict what narratives will resonate and why certain patterns recur across cultures and eras.
In Practice: Robert Towne's insight on the fundamental structure of all stories
Demonstrated by Leg-hf-001
Fear of Inner Potential
PsychologyPeople fear not just external failure but the vastness of their own internal potential. When the mind can imagine infinite possibilities, this becomes overwhelming to the rational brain. The fear of one's own greatness often constrains action more effectively than external obstacles. Recognizing this pattern allows for addressing the true barrier to achievement.
In Practice: Analysis of what prevents people from reaching potential and role of narrative in overcoming it
Demonstrated by Leg-hf-001
Connective Tissue (4)
Fear of infinite inner potential mirroring external possibility
The subconscious contains possibilities far exceeding what the rational mind can process, creating fear of one own potential.
Analysis of what prevents people from reaching potential
Status matching principle from British theater tradition
A British actor discovered that overplaying status generated hatred, underplaying prevented achievement, but matching status level yielded success.
Discussion of status as fundamental to all human interaction
Money as stored potentiality and denial-of-death project
Money functions as a symbol that stores infinite potential. The accumulation of money serves as a denial-of-death project.
Analysis of ultimate concern and what drives behavior
Greek hero archetype: living according to a universally disliked worldview
Greek tragic heroes embody a specific worldview and pursue it with absolute commitment despite universal disapproval.
Discussion of what makes iconic characters compelling
Key Figures (8)
Steve Jobs
1 mentionsCo-founder and CEO of Apple
Raymond Loewy
1 mentionsIndustrial Designer
Elon Musk
1 mentionsEntrepreneur and CEO
Robert Towne
1 mentionsScreenwriter
Mitch Lasky
1 mentionsFormer Benchmark Partner, Chairman of Hammer's Studio
Marc Andreessen
1 mentionsCo-founder of Andreessen Horowitz
Don Rosenthal
1 mentionsMentor/Teacher
John O'Donohue
1 mentionsIrish Poet and Philosopher
Glossary (2)
language games
DOMAIN_JARGONDifferent contexts require different communication styles and vocabularies
“Understanding the language games that each one of these buckets plays”
soteriological
VOCABULARYRelated to salvation or deliverance
“Storytelling is soteriological”
Key People (4)
Steve Jobs
(1955–2011)Apple co-founder who returned to lead company turnaround in late 1990s
Raymond Loewy
(1893–1986)French-American industrial designer known for Coca-Cola bottle and Lucky Strike package
Elon Musk
(1971–)Entrepreneur and CEO of Tesla, SpaceX, and other ventures
Robert Towne
(1934–2024)Academy Award-winning screenwriter of Chinatown and other classic films
Concepts (3)
character development
CL_TECHNICALThe process by which a character's worldview evolves through story events and self-discovery
Platonic ideal
CL_PHILOSOPHYPerfect form or essence that exists beyond physical reality in Plato's philosophy
ultimate concern
CL_PHILOSOPHYAbsolute truth or value that anchors all other beliefs and drives behavior
Synthesis
Dominant Themes
- Story as technology for transmitting ultimate concern
- Three-layer narrative structure as universal framework
- Fear and potential as dual forces in human behavior
Unexpected Discoveries
- Money functions as denial-of-death project
- Fear of inner potential often exceeds fear of external obstacles
- Status matching is key to influence
Cross-Source Questions
- How do other legends demonstrate the three-layer narrative structure?
Processing Notes
High-quality philosophical content with broad applicability.
Synthesis
High-quality philosophical content with broad applicability.